The Brothers Rigg, Ian and Quinn, represented ChicagolandMusicalTheatre.com at MCL Chicago’s third annual Premier Premieres! weekend festival in late June, attending and reviewing all five of the festival’s musical productions
Compositions
This section is our community blog. It's set up for sharing thoughts, ideas, links, ruminations, suggestions and opinions about all things musical theatre and is open to all participants and patrons of the community who come to this site. To contribute a post of any length, please type "Composition Contribution" in the subject line and send it via email to Producer@ChicagolandMusicalTheatre.com. Do include your name and contact information so we may verify authorship, and feel free to include a photo or piece of art to accompany your writing. Contributors are encouraged toward positivity and thoughtfulness, and ChicagolandMusicalTheatre's editors have final say in what's published here. Submissions to this section give ChciagolandMusicalTheatre.com the right to publish the writing.
Paramount’s ‘Superstar’ Jesus spreads the love to his cast-church-family
They were patient, loving, encouraging. They may not even know, but they were everything I could have asked for in a cast-church-family.
Marriott’s ‘Mamma Mia!’ Rosie takes on body shaming in ‘Sun-Times’ review
So, I write this long rant to say this (because the mama bear in me has to): Every single woman that inhabits the Marriott Theatre during this run is PERFECT and REAL.
Our implied contract with producers and publicists requires a mea culpa to Chicago Children’s Theatre: Go see ‘Magic City’
There’s an implied deal between publicists of professional entertainment, who work for the shows’ producers, and the media members privileged enough to cover these productions. In exchange for advance information and invitations with complimentary tickets, we promise to write about the production and share what we write with our readers.
Stellar ‘High Fidelity’ remount shows Refuge Theatre Project really might be the next big thing
Kicking off year three with a pre-opening night extension of a proven hit bodes well for this prediction’s accuracy. That’s particularly true in the wake of recent abrupt closures of other shows (Helldrivers of Daytona, The Bardy Bunch) and companies (Musically Human Theatre and, apparently, Lake Forest Theatre).
