By Barry Reszel While it may be the subject of some debate, at least two sources confirm leprechauns to be of Scottish descent (See point 2 here and/or this article from an esteemed publication of Yale University). Which is good enough for one reviewer to declare The Goodman Theatre’s summer production of Scotland-based Brigadoon magically
The musical theatre reviews featured here are written by reviewers, not critics. These impressions and opinions are from individuals passionate about musical theatre and represent, in most cases, one observation of one performance. The primary purpose in publishing reviews is to help patrons decide whether a production is a good use of their time and entertainment budget. Our reviewers are also encouraged to creatively shine a light on particularly good work done onstage and backstage, understanding that successful productions happen because of the work of many. Finally, ChicagolandMusicalTheatre's reviewers are asked to walk into a show expecting enjoyable entertainment—because that's the mindset of patrons who buy tickets to professional theatre.
By Jori Waldron Oakbrook Terrace’s Drury Lane Theater is among the poshest Chicagoland venues with magnificent chandeliers and plush red seats—setting it up to be the brunt of some of the jokes in its current production of The 25th Annual Putnam County Spelling Bee. This show, entertaining for all ages, stands apart from many other
By Barry Reszel If more clergy would convey Jesus’ story with Matt Raftery‘s authenticity, creativity, clarity and joy, they could stop worrying about declining Sunday attendance. Indeed, the director of Lincolnshire’s Marriott Theatre’s Godspell is schooling the church by offering musical theatre congregants a look at a fun, young, vibrant, colorful and kind “J.C. and
By Barry Reszel A diary by its very definition—author and audience one and the same—should be the most authentic piece of writing possible. It’s not surprising, then, when Chicago-based pianist and songwriter Peter Saltzman’s autobiographical, one-man Piano Diaries is at its best is when Saltzman is being Saltzman. And it’s at its most stellar when the
By Barry Reszel Today is the operative word in Writers Theatre’s world premiere of the modern relationship musical, Days Like Today. Based on the plays of Charles L. Mee, Laura Eason’s book, punctuated by Alan Schmuckler’s poignant lyrics and memorable song, could well be called, Today’s Normal. Which is to say, if this generation’s claim