CHICAGO – “Are we still who we thought we were?”
“How much do we still value the culture we embraced a year ago?”
These are the questions that guided Theater Wit Artistic Director Jeremy Wechsler as he assembled the company’s 2017-18 “smart art” season of contemporary, comedic plays: the return for the holidays of Mitchell Fain’s tour-de-force This Way Outta Santaland (and other Xmas miracles) (November 24-December 30, 2017), the world premiere of Eric John Meyer’s The Antelope Party, a comedy for our times with a My Little Pony theme (January 5-February 24, 2018), and the Chicago debut of Women Laughing Alone with Salad, the Internet meme turned satirical play by Sheila Callaghan (March 9-April 29, 2018).
“This has been a year of tsunami-sized cultural change. So many American ideals – media independence, social services, feminism, LGBTQ rights, anti-racism – seem under assault,” said Wechsler. “But we have to stay true to ourselves, and that means comedies of reason and compassion. Our 2017-18 season offers three such vantages: the personal story of how a city became a sanctuary, a comedy of ponies and normalization, and a whirling examination of media culture and sexual politics. It’s a set of three plays that you won’t soon forget, comic works by contemporary artists timed to the exigencies of this moment.”
Theater Wit is located at 1229 N. Belmont, in the heart of the new Belmont Theatre District in Chicago’s Lakeview neighborhood. The best way to secure seats to Theater Wit’s 2017-18 season is to sign up for a Theater Wit Membership. Wit’s Netflix-like “all the theater you can eat” deal lets members see as many plays at they want in any of theater’s three spaces for one low monthly fee of $29/$22 for students, along with many exclusive member perks. Single tickets to Wit’s 2017-18 season go on sale ten weeks before each show.
To purchase a Membership, inquire about Flex Pass options or to buy single tickets, visit theaterwit.org or call the Theater Wit box office, 773.975.8150.
More about Theater Wit’s 2017-18 season
The return of
This Way Outta Santaland (and other Xmas miracles)
Written and performed by Mitchell Fain
Directed by Jeremy Wechsler
November 24-December 30, 2017
After completing an amazing workshop last year, Chicago’s favorite holiday performer returns for a mainstage tour-de-force of his unique blend of storytelling, improvisation and cabaret.
This Way Outta Santaland (and other Xmas miracles), written and performed by Mitchell J. Fain, pulls together a host of holiday stories from the audience along with his own autobiographical war stories about how family, drunks, jewelry, funerals, 250 performances and the holiday spirits collide.
Chicago’s newest holiday tell-all is this sweet, sentimental evening of hard truths that change night to night, with lovely cameos by Chicago cabaret powerhouses like Meghan Murphy and madcap pianist Julie B. Nichols.
“Highly recommended. A brand new, indispensable tradition, at once hilarious, tragic, moving and profane.” – Chicago Theater Review
A World Premiere
The Antelope Party
By Eric John Meyer
Directed by Jeremy Wechsler
January 5-February 24, 2018
It’s sometime in the 2010s. The Rust Belt Ponies Meet Up Group for Adult Fans of My Little Pony has gathered in Ben’s Philadelphia apartment, but two members have not yet arrived. A new recruit seems unusually shy and curiously paranoid about a local neighborhood watch group. What happened to their Pegasister, Maggie? Why is Brony Doug so paranoid? What does it all have to do with the 9/11 Truthers and an emerging group of “concerned citizens?” In the midst of increasing violence and authoritarianism, how can our heroes see the magic in Everypony? And, even worse, what if they do?
And that’s just the first ten minutes of Meyer’s amazing and timely new comedy. With its My Little Pony cult prism, Meyer explores the rise of a new social order and how the currents of history, normalization and fear can sweep up even the most Generous ponies of Celestia.
Eric John Meyer is a playwright and performer/director/producer based in New York City. His work has been developed or presented by Playwrights Horizons, Clubbed Thumb, Vineyard Theatre, Actors Theatre of Louisville, The Flea, Dutch Kills Theater Company and The Edinburgh Fringe Festival, among others. He is a member of the Actor’s Studio Playwright/Director Unit and a recipient of a new play commission from Playwrights Horizons. Meyer is a co-founder of Human Head Performance Group and The Truck Project, both of which he established with his partner, Jean Ann Douglass. He received his MFA in Theater from Sarah Lawrence College.
A Chicago Premiere
Women Laughing Alone with Salad
By Sheila Callaghan
Directed by Devon De Mayo
March 9-April 29, 2018
Dangerous, fierce and funny, Women Laughing Alone with Salad bursts out of the bounds of internet meme-dom and onto the stage in a four person comic tour-de-force about friendship, salad, sex, bodies, yoga, salad, men, envy, women, pharmaceuticals, diets, salad and uppers and salad.
DC Theatre Scene called this hilarious satire about how we live with ourselves, or possibly, how we can’t, a “fresh, funny play…the poster child for what feminist theatre should be: a great night out on the town watching a slambam comedy which is also a serious conversation about the society we oh-so-currently live in.”
Devon de Mayo makes her Theater Wit directorial debut with Women Laughing Alone with Salad. Her recent directing credits include Court Theatre’s Harvey and Raven Theatre’s world premiere Sycamore.
Sheila Callaghan’s plays have been produced and developed with Soho Rep, Playwright’s Horizons, Yale Rep, South Coast Repertory, Clubbed Thumb, The LARK, Actor’s Theatre of Louisville, New Georges, The Flea, Woolly Mammoth, Boston Court and Rattlestick Playwright’s Theatre, among others. Callaghan is the recipient of the Princess Grace Award for emerging artists, a Jerome Fellowship from the Playwright’s Center in Minneapolis, a MacDowell Residency, a Cherry Lane Mentorship Fellowship, the Susan Smith Blackburn Award and the prestigious Whiting Award. Her plays have been produced internationally in New Zealand, Australia, Norway, Germany, Portugal, and the Czech Republic. These include Scab, Crawl Fade to White, Crumble, We Are Not These Hands, Dead City, Lascivious Something, Kate Crackernuts, That Pretty Pretty; Or, The Rape Play, Fever/Dream, Everything You Touch, Roadkill Confidential, Elevada, Bed and Women Laughing Alone with Salad. She is published with Playscripts.com and Samuel French, and several of her collected works are published with Counterpoint Press. She has taught playwriting at Columbia University, The University of Rochester, The College of New Jersey, Florida State University, and Spalding University. Callaghan is an affiliated artist with Clubbed Thumb and a member of the Obie winning playwright’s organization 13P. She is also an alumni of New Dramatists. In 2010, Callaghan was profiled by Marie Claire as one of “18 Successful Women Who Are Changing the World.” She was also named one of Variety magazine’s “10 Screenwriters to Watch” of 2010. Callaghan is currently a writer/producer on the hit Showtime comedy Shameless and a founder of the feminist activist group The Kilroys. She was nominated for a 2016 Golden Globe for her work on the Hulu comedy series Casual and a 2017 WGA Award for her Shameless episode “I Am A Storm.”
About Theater Wit
Theater Wit, Chicago’s “smart art” theater, is a major hub of the Chicago neighborhood theater scene, where audiences enjoy a smorgasbord of excellent productions in three, 99-seat spaces, see a parade of talented artists and mingle with audiences from all over Chicago.
“A thrilling addition to Chicago’s roster of theaters” (Chicago Tribune) and “a terrific place to see a show” (New City), Theater Wit is now in its seventh season at its home at 1229 N. Belmont, in the heart of the new Belmont Theatre District in Chicago’s Lakeview neighborhood.
The company’s most recent hits include 10 Out of 12 and Mr. Burns, a post-electric play by Anne Washburn, Naperville by Mat Smart, The New Sincerity by Alena Smith, Bad Jews by Joshua Harmon, The (curious case of the) Watson Intelligence and Seven Homeless Mammoths Wander New England by Madeleine George, and Completeness and The Four of Us by Itamar Moses.
In 2014, Theater Wit was awarded the National Theatre Award by the American Theatre Wing for strengthening the quality, diversity and dynamism of American theater. Theater Wit also brings together Chicago’s best storefront companies at its Lakeview home, including 2017-18 resident companies About Face, Kokandy Productions and Shattered Globe.
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